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    • Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring

    • NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

    • The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

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    • Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

    • Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

    • The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

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    • Cannes Review: All of a Sudden Is Ryusuke Hamaguchi’s Most Empathetic, Humanist Film to Date

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    • “Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

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News

Frederick Wiseman Dies at 96

Sean Baker, Miguel Gomes, Véréna Paravel, Laura Citarella, and Eduardo Williams Plot New Films

The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

Isabelle Huppert is The Blood Countess in Exclusive Poster for Ulrike Ottinger’s Berlinale Premiere

David Fincher and Quentin Tarantino Unite in First Trailer for The Adventures of Cliff Booth

NYC Weekend Watch: Nadja, Seoul After Dark, Tenement Stories & More

Todd Haynes to Shoot De Noche with Pedro Pascal and Danny Ramirez Starting Next Month

David Lynch’s Scripts for Unrecorded Night, Which Was to Star Toby Jones, to Be Published

First Look at Ryusuke Hamaguchi’s All of a Sudden Starring Virginie Efira

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Cannes Review: All of a Sudden Is Ryusuke Hamaguchi’s Most Empathetic, Humanist Film to Date

Cannes Review: Clarissa Provides a Formally Adventurous Showcase For Sophie Okonedo

Cannes Review: The Meltdown Is an Elusive Chilean Chiller

Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring

Cannes Review: Asghar Farhadi’s Parallel Tales Is an Ambitious If Tedious Take on Kieślowski

Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

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