Few film books in recent memory made waves like Adam Nayman's Paul Thomas Anderson: Masterworks, a too-rare melange of authorial talent, topical interest, and ...
If 2021 has been a calvacade of bad decisions, dashed hopes, and warning signs for cinema's strength, the Criterion Channel's monthly programming has at least ...
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...
Museum of the Moving Image
The first seven seasons of On Cinema are screening this weekend; to promote his upcoming David Fincher book, Adam Nayman will int...
Metrograph
With her sublime debut All is Forgiven now playing, Mia Hansen-Løve has curated a series populated by the likes of Varda, Rohmer, and Edward Yang...
After a hiatus where New York’s theaters closed during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of r...
After a hiatus where New York’s theaters closed during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of r...
After a hiatus where New York’s theaters closed during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repert...
One's life is their art as their art is their life—this is the axiom of Mia Hansen-Løve's career which, seemingly all of a sudden, is fifteen years and seven f...
It was perhaps predestined Todd Haynes would one day make a film about the Velvet Underground. Predestined since Velvet Goldmine, at least, which—in a time whe...
