The world that opens X-Men: Days of Future Past is a dismal, barren wasteland, stacked tall with the bones and corpses of extinguished super-beings while chamel...
In Steven Knight’s Locke the whole wide world is reduced to the nighttime interiors of Tom Hardy’s car. For most films, this kind of gimmicky paring-down would ...
It’s likely that you’ll know well ahead of entering the theater whether or not Disney’s Million Dollar Arm is your kind of entertainment. The final product—a we...
Early on in Legends of Oz: Dorothy’s Return, our tornado-riding, dimension-hopping heroine realizes that the world she’s come back to is a very different, dimin...
The frozen, gray confines of a forest in Quebec become an unstable purgatory for hapless Thomas Haden Church in Emanuel Hoss-Desmarais' darkly comic Whitewash. ...
What is it about interstellar travel that seemingly halts an advanced species’ sense of sophistication? If Hollywood and the internet conspiracy cultists are to...
It may be called The Quiet Ones, but the latest supernatural offering from revamped Hammer Studios is anything but. John Pogues would-be chiller may not raise t...
The Other Woman is one of those lame comedies that pretends allegiance to the female demographic but spends most of its time toiling around in sub-moronic, play...
A few months back I was watching a small indie thriller called Hours, and was surprised with a personal revelation; I’m going to miss Paul Walker in the movies....
How far would you go for the “right” amount of money?
The very rich preying on the desperation of the poor is obviously not a new concept in fiction, but rec...
