The season of Gaspar Noé is upon us. Following Climax, the director's next two films are now set for back-to-back U.S. releases. Vortex, which premiered at Can...
After a nothing less than extraordinary few decades, it's looking increasingly likely that 2018's The Ballad of Buster Scruggs will be the last Ethan and Joel ...
MUBI has unveiled its streaming offerings this April in the U.S. and leading the pack is a special spotlight on Franz Rogowski, star of their recent theatrical...
Following Portrait of a Lady on Fire, one might have expected Céline Sciamma to up her scale but instead, during the pandemic, she focused on a story with a sm...
Returning from April 20-May 1 for its 51st edition, New Directors/New Films has announced this year's lineup. Taking place at NYC's Film at Lincoln Center and ...
No two ways about it: April's a great month for the Criterion Channel, which (among other things; more in a second) adds two recent favorites. We're thrilled a...
One only gets word on a new Panos Cosmatos film so often—might as well appreciate it as it comes. Though the director, who we've admired since Beyond the Black...
There are, maybe, better movies than INLAND EMPIRE. (I believe all-caps are required,) But as you're watching it that hardly seems possible. Shot in some of th...
Before the year ends, we'll likely be getting a new feature from Yorgos Lanthimos, his Frankenstein reimagining Poor Things with Emma Stone, Mark Ruffalo, Will...
At long last, the Lou Ye's Venice 2019 premiere Saturday Fiction is arriving stateside. After some delays presumably caused by the pandemic, Strand Releasing w...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
