John Fink

[Review] A Space Program

A work of documentation, as opposed to a pure documentary, A Space Program offers a vision of what The Martian might look like as directed by the heroes of Mich...

[Review] The Perfect Match

Pleasant enough, if not paper-thin and featherweight, The Perfect Match is a bland picture starring attractive people that never quite seems to connect the dots...

[Review] The Brothers Grimsby

Crude, cruel, and uncalled-for in the best possible way, The Brothers Grimsby, like The Dictator, marks another evolution away from the guerilla theater that pu...

[Review] Becoming Mike Nichols

Tracing the early career of the prolific filmmaker, from his early collaborations with Elaine May to his first few adventures in Hollywood, Becoming Mike Nichol...

[Review] Regression

Absurdity turns quickly to boredom in Alejandro Amenábar’s Regression, the latest picture unceremoniously dumped by The Weinstein Company to your local multiple...

[Sundance Review] Nuts!

A story so absurd it requires animation to be told, Nuts!, directed by Penny Lane, continues the filmmaker’s interest in personal histories, following her 16mm ...

[Sundance Review] Antibirth

Ugly and occasionally entertaining, the female-led Antibirth is a punk rock horror thriller set in a decaying suburb somewhere in Michigan. Opening in the middl...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.