Equal parts cruel and sympathetic, Colby Holt and Sam Probst’s Pig Hag is a shocking indie debut occupying the psychological space of Jodie (Anna T Schlegel), a...
Nothing Stays The Same: The Story of The Saxon Pub functions as both a local interest story and something deserving of greater attention. The battle to keep Aus...
An evocative personal journey and study of globalization and loneliness, Andrew Hevia’s Leave the Bus Through the Broken Window often veers into silliness as th...
A superbly entertaining new thriller from Ricky Tollman, Run This Town offers a fictionalized account of late Toronto mayor Rob Ford’s well-documented issues ba...
Showing rather than explaining the greatness of Beto O’Rourke as a retail politician who is both engaging and engaged, Running with Beto might not shine too muc...
Despite some endearing passages, Gene Stupnitsky’s uninspired crude tween comedy Good Boys is a cringe-inducing affair. The Seth Rogen-produced summer release f...
With a healthy dose of the occasional crude joke and casual drug use that’s become the hallmark of Seth Rogen’s brand of humor, Long Shot is Notting Hill with g...
I must open this review by simply stating the obvious that some critics might be overlooking: we may not be the audience for Tyler Perry’s A Madea Family Funera...
By design, there’s a very bad romantic comedy at the center of Isn’t It Romantic. Unfortunately, a one-note romantic comedy with all the tropes isn’t exactly th...
Compelling if messily constructed, Kim Longinotto’s Shooting the Mafia tells the story of 83-year-old photographer Letizia Batteglia who took on the Sicilian ma...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
