I remember picking up Green Day’s American Idiot with trepidation in 2004. Dookie is, without a doubt, a classic, while Insomniac proved to be a worthy follow-u...
As reporters from The Guardian and The New York Times are shown sifting through hundreds of thousands of leaked documents uploaded to the Wikileaks site by Chel...
While Disney/Pixar has dove into children’s television with Cars-centric offerings and a Buzz Lightyear spin-off, it’s surprising it’s taken this long to craft ...
While finding one's calling is easy for some and effortless for others, the rest may need to travel around the world before figuring out what truly gives them m...
My first trip to the Toronto International Film Festival had me arriving at the box office with vouchers and no clue about what to see. Ready for anything, my f...
A name as prolific as Renoir can't help conjure a litany of tales worthy of the big screen. None, however, are more intriguing than the discovery of the surname...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
No matter how much Stereo (Mahmud Abu-Jazi) loves his country, living in the warzone that is occupied Palestine has to prove hollow at some point. A wedding sin...
Composed by Renato Russo in 1979 and finally released in 1987 on his band Legião Urbana’s album Que País É Este, “Faroeste Caboclo” became a folk song hit in Br...
The South African director behind cinematic adaptations of John van de Ruit’s comedic, teen-lit Spud series hits the Toronto International Film Festival with hi...
