Jared Mobarak

[Review] The Fifth Estate

As reporters from The Guardian and The New York Times are shown sifting through hundreds of thousands of leaked documents uploaded to the Wikileaks site by Chel...

[Review] Toy Story of Terror

While Disney/Pixar has dove into children’s television with Cars-centric offerings and a Buzz Lightyear spin-off, it’s surprising it’s taken this long to craft ...

[Review] Blood Brother

While finding one's calling is easy for some and effortless for others, the rest may need to travel around the world before figuring out what truly gives them m...

[Review] Paradise

My first trip to the Toronto International Film Festival had me arriving at the box office with vouchers and no clue about what to see. Ready for anything, my f...

[Review] Renoir

A name as prolific as Renoir can't help conjure a litany of tales worthy of the big screen. None, however, are more intriguing than the discovery of the surname...

[TIFF Review] Palestine Stereo

No matter how much Stereo (Mahmud Abu-Jazi) loves his country, living in the warzone that is occupied Palestine has to prove hollow at some point. A wedding sin...

[TIFF Review] Brazilian Western

Composed by Renato Russo in 1979 and finally released in 1987 on his band Legião Urbana’s album Que País É Este, “Faroeste Caboclo” became a folk song hit in Br...

[TIFF Review] iNumber Number

The South African director behind cinematic adaptations of John van de Ruit’s comedic, teen-lit Spud series hits the Toronto International Film Festival with hi...

[Review] A Single Shot

It’s a shame most people need an incident that risks taking their life to finally acknowledge they have one left to live. For John Moon (Sam Rockwell), this mom...

Jared Mobarak

Jared Mobarak is a Rotten Tomatoes-approved film critic for The Film Stage, Art Director for Buffalo, NY film series Cultivate Cinema Circle, and member of OFCS and GWNYFCA. You can follow his cinematic viewing habits at Letterboxd.