Many parents aren't going to allow their young children to watch Marvel Cinematic Universe films—they skew older with dark underlying themes and comic book viol...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
Being an embedded photojournalist is a concept I cannot quite wrap my head around. To willingly go into a war zone and risk your life to get a shot, not for pla...
An interesting choice was made on Jack Bryan's film The Living—one that occurred before the camera rolled. If you're familiar with Fran Kranz's emotionally frac...
The easiest thing I could say about The Overnighters is that director Jesse Moss got lucky. He looked to tell the story about a pastor doing God's will against ...
I'm a little disappointed I was never acquainted with Judith Viorst's Alexander and the Terrible, Horrible, No Good, Very Bad Day because it seems exactly the t...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
There's no better title for Hong Khaou's feature debut than the one given: Lilting. It describes the pacing and aesthetic as guilt and grief intertwine with mem...
Icelandic musician Björk has always been somewhat uncategorizable with a career that's uniquely evolved to the beat of her own electronic drum. There was the in...
After all the talk from last year's TIFF centered around the eventually Oscar-winning Best Picture 12 Years a Slave, you can't blame yourself if you forgot ...
