Daniel Schindel

[TIFF Review] Into the Inferno

Volcanoes are perfect for Werner Herzog. There’s a reason he keeps coming back to them, from La Soufriere to Encounters at the End of the World. They are violen...

[TIFF Review] Their Finest

Ticking off multiple points on the big crowd-pleaser checklist, Their Finest is a romantic dramedy about patriotism set during World War II, with a nice splash ...

[TIFF Review] Headshot

The Raid star Iko Uwais deserves to silat his way through a million hapless evil men, but here’s hoping that, going forward, he picks better cinematic vehicles ...

[Review] Don’t Breathe

Twisting the “blind warrior” trope into a simple but possibility-laden premise, Don’t Breathe makes for a very fun little thriller, though it also veers into be...

[Review] Florence Foster Jenkins

Florence Foster Jenkins is this year’s movie that your mom will love which, under its anodyne surface, is actually kind of morally abhorrent. Allegedly a tribut...

[Review] Anthropoid

Throw a dart at a map, and you can make a World War II movie set in whatever place you hit. Of course, pretty much any film about the Good War that doesn’t focu...

[Review] Gleason

Gleason is a decently effective sob-extraction mechanism, a nexus where sports fans and documentary enthusiasts alike can join to vent some ragged emotion. The ...

[Review] Star Trek Beyond

After the pleasant fluff of its kick-off installment and the frog march of unpleasantness that was Into Darkness, the rebooted Star Trek film series finally hit...

[Review] The Infiltrator

Fascination endures with the cocaine trade of the 1980s, as evidenced by everything from Netflix’s Narcos to the two separate upcoming biopics around minor char...

[Review] Independence Day: Resurgence

Twenty years after Independence Day ramped up cinema’s obsession with mass destruction, its sequel ricochets between repetition and semi-clever subversion. Lond...