There are plenty of characters and there is plenty of New York City in writer/director Dustin Guy Defa's Person To Person, but the whole thing meanders all over...
Cut together with gut-wrenching intensity and packed with footage that feels equal parts remarkable and horrifying, Cartel Land director Matthew Heineman return...
So much of so many film festivals -- Sundance especially -- feel enormously focused on metropolitan life, New York City in particular. In Where Is Kyra?, direct...
As written and directed by Matt Ruskin, the tragic story of Colin Warner doesn't so much come to life on the screen as it is responsibly recalled in Crown Heigh...
Kudos to Jack Black for trying new things. The actor seems to be on a mission to expand his comedic (and dramatic) palette with interesting turns in smaller far...
Harold Ramis certainly didn't invent it, but his Groundhog Day made the narrative loop device a mainstream mainstay, lovingly aped in everything from Source Cod...
War, of course, is hell. We know this, but it stands that we should be reminded now and again. With The Yellow Birds, filmmaker Alexandre Moors tries to find be...
It's commonplace for a fan to say of an actor or actress they like: "I would watch him or her in anything." The Hero, written and directed by Brett Haley, makes...
From start to finish, The Big Sick, directed by Michael Showalter, works as a lovingly-rendered, cinematic answer to the dinner party question: "So how did you ...
Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.
