There is a scene in the middle of The Last Shift in which our two main characters–Stanley (Richard Jenkins) and Jevon (Shane Paul McGhie)–get into an argument ...
When it comes to Natalie Wood: What Remains Behind, what you see is what you get. Zipping by at a manageable 100 minutes, established producer and documentaria...
Has there been a great feature made about the opioid crisis in America? Director Braden King is determined to answer the question "yes" with The Evening Hour, ...
A Michael Almereyda film can be a special thing. A few years back, the writer/director gave us Experimenter, an impressive kinda-biopic of Stanley Milgram star...
The silences last a lifetime in The Assistant, written and directed by Kitty Green. Starring Julia Garner as the titular character, the film plays out over one...
It's hard to imagine someone better suited to take on the legacy of Gloria Steinem than Julie Taymor. Her first directorial effort in a decade, The Glorias off...
A cramped setting, an onslaught of clever dialogue and a twisty plot go a long way in Scare Me, an impressive little movie from writer/director Josh Ruben, who...
So much of what makes Promising Young Woman work so well is in what's not on screen. Far more contemplative than initial marketing might suggest, this is a rev...
Have we ever given Paul Bettany the credit he deserves? One thinks back to his stellar turns in Master and Commander: The Far Side of the World, The Reckoning,...
Early on in Ironbark, directed by Dominic Cooke, British salesman Greville Wynne (Benedict Cumberbatch) realizes he's sitting at a table with both a MI6 office...
Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.
