Though it is often pegged to David Lynch, who financed the film and makes a fun cameo, Nadja is really a showcase par excellence for Michael Almereyda, long on...
February is about love, but love often—some might say always—does not go one's way. Thus there's yearning, and also "Yearning," a new program where amour isn't...
Few developments in Paul Thomas Anderson's career—his ironclad collaboration with Jonny Greenwood or pivot to period pieces or embracing of long-dormant shooti...
Certainly the only movie in existence to star Larry David and Orson Welles, Henry Jaglom's Can She Bake a Cherry Pie? was a wonderful discovery at the 63rd New...
Taking place February 12 through 22, Berlinale 2026 had previously unveiled films by Hong Sangsoo and more coming to the festival. Now it's time for the Compet...
When One Battle After Another was first announced, before it even had a confirmed title, the potential of what a Paul Thomas Anderson-directed action movie cou...
An especially strong cross-section of English-language cinema is represented by Criterion's April 2026 lineup, which sees Point Blank get a 4K disc that should...
The new All You Need Is Kill—director Kenichiro Akimoto and Studio 4°C’s animated reimagining of the time-loop novel that inspired Doug Liman's Tom Cruise vehi...
As Brazilian cinema enjoys a major spotlight with The Secret Agent, I'm Still Here, Apocalypse in the Tropics, The Blue Trail, and beyond, it's prime time to d...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern ArtA yearly highlight of New York’s repertory programming, To Save an...
