TIFF Review: Sorry/Not Sorry is a Reductive Inquiry into the Cancellation of Louis C.K.
No institution can dodge Louis C.K.'s comedic legacy and sexual allegations, TIFF included, where he appeared immediately pre-#MeToo with h...
Reviews
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TIFF Review: Sing Sing is an Emotionally Restorative Portrait of the Artistic Process
“We are here to become human again.” This is the mantra of the Rehabilitation Through the Arts program, founded in Sing Sing Correctional F...
TIFF Review: Lukas Moodysson’s Together 99 is a Bittersweet, Bruising Reunion
The idyllic dream of leftist commune living, where resources and skills are shared for the greater good, needs a key ingredient to work: pe...
TIFF Review: The Promised Land Showcases Mads Mikkelsen in a Light, Entertaining Piece of Historical Fiction
After his 2012 film A Royal Affair received an Oscar nomination for Best Foreign Language Film, Danish writer-director Nikolaj Arcel did wh...
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TIFF Review: Lukas Moodysson’s Together 99 is a Bittersweet, Bruising Reunion
The idyllic dream of leftist commune living, where resources and skills are shared for the greater good, needs a key ingredient to work: people. Two decades af...
TIFF Review: The Promised Land Showcases Mads Mikkelsen in a Light, Entertaining Piece of Historical Fiction
After his 2012 film A Royal Affair received an Oscar nomination for Best Foreign Language Film, Danish writer-director Nikolaj Arcel did what probably seemed l...
A Haunting in Venice Review: Kenneth Branagh Reaches Poirot Peak with His Best-Directed Work in Decades
A Haunting in Venice is both the best Kenneth Branagh film and the best Agatha Christie adaptation in decades. Adapted from the famed mystery writer's 1969 nov...
Exclusive Trailer for Jeremy Thomas Retrospective Brings Together Cronenberg, Glazer, Ôshima, Skolimowski, Bertolucci, Jarmusch & More
To celebrate the release of Mark Cousins' new documentary The Storms of Jeremy Thomas, a portrait of the Oscar-winning producer responsible for bringing to lif...
TIFF Review: Widow Clicquot Proves a Captivating, Exquisitely Told Biopic
The first thing we learn at the start of Thomas Napper's Widow Clicquot is that Barbe-Nicole Ponsardin Clicquot (Haley Bennett) loved her husband François (Tom...
TIFF Review: Thank You for Coming is a Jarring Indian Sex Comedy
When it seems that every Indian or Pakistani romance coming down the pike centers on the traditional patriarchal values of arranged marriages and dowry (even w...
TIFF Review: Seagrass is a Compelling Relationship Drama
Everything you need to know about Judith (Ally Maki) and Steve’s (Luke Roberts) marriage arrives during their first “share” at the summer retreat where they’ve...
TIFF Review: Sleep is a Formally Precise South Korean Thriller in Search of a True Pulse
Wes Craven understood, when conceiving A Nightmare on Elm Street, the creepiness of our sacred sleep time being invaded, and Adam McKay was similarly onto some...
NYC Weekend Watch: The Wild Bunch on 70mm, Sexy Beast, Lost in Translation & More
NYC Weekend Watch is our weekly round-up of repertory offerings.
Paris TheaterThe Paris has reopened with a new Dolby Atmos screen and a 70mm series featuri...
Film Fest Gent Are Now Streaming New Shorts from Terence Davies, Bi Gan, Jia Zhangke, and More
Marking perhaps the greatest coup any festival's managed these last ten years, the Film Fest Gent––recently in our sights for their addition of Ryusuke Hamaguc...