With Wes Anderson's The French Dispatch finally confirmed to world premiere at Cannes Film Festival (who have delayed their full selection announcement to June...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Reaffirming Angelina Jolie’s interest in efficient action storytelling, co-writer/director Taylor Sheridan’s Those Who Wish Me Dead, adapted from Michael Koryt...
After a 14-month hiatus as theaters in New York City and beyond closed their doors during the pandemic, we're delighted to announce the return of NYC Weekend W...
Perhaps the most clever idea in this prestigious throwback to potboilers of yore, The Woman in the Window, is how it upends the bourgeois escapism of most thri...
It seems strange to call a Zack Snyder movie nostalgic. Over the last decade the director has spent all his energy operating within the superhero industrial co...
An out-of-the-blue surprise from last year's festival circuit, Slow Machine is a simmering thriller, Rivettian game of shifting identity, musical documentary, ...
A lot has changed in Saudi Arabia since Haifaa Al-Mansour last made a film in her home country. Wadjda, Al-Mansour’s 2012 debut, was the first feature shot ent...
Few documentaries exude as much love and care for their subject as Edgar Wright's first non-fiction film, The Sparks Brothers. Following the overlooked yet hug...
Welcome to The B-Side, from The Film Stage. Here we talk about filmmakers! Not the movies that made them famous or kept them famous, but the ones that they mad...
