It looks like Adam McKay has some competition for who can assemble the most star-studded cast of 2021. Just before the pandemic hit in the United States, David...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
In her post-Gone Girl breakout, Rosamund Pike has led period dramas and biopics but she never found a role that mined similar devilishly fun territory. It now ...
One of our early favorites to seek out in the new year is The World to Come, Mona Fastvold's long-awaited follow-up to her debut The Sleepwalker. Set in the 19...
The most remarkable thing about The Marksman is how actively it insists on not setting itself apart. Almost willfully mediocre, Robert Lorenz’s neo-western fea...
As his delightful reunion with Fran Lebowitz, Pretend It's a City, arrives on Netflix, it's afforded the opportunity for Martin Scorsese to step into the spotl...
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that the...
Don DeLillo's rarely been adapted for film and Noah Baumbach's never adapted a novel*. Does that make them certain bedfellows? Well, no, probably not even a li...
While there's no release date confirmed quite yet, near the top of our most-anticipated films of 2021 is Joel Coen's new Shakespeare adaptation The Tragedy of ...
From The Bourne Identity to Mr. & Mrs. Smith to Edge of Tomorrow, Doug Liman's scale has come a long way since his smaller-scale breakouts Swingers and Go....
