A shot late in Andrey Zvyagintsev’s Loveless encapsulates both the film’s overarching message and its author’s bludgeoning directorial approach. One of the prot...
Alfred Hitchcock might have been stating the obvious when he said, "If it’s a good movie, the sound could go off and the audience would still have a perfect ide...
If we were to create a list of the most exciting up-and-coming directors working today, Mia Hansen-Løve would be at the top. From All is Forgiven to last ye...
This weekend will bring the debut screenings of our most-anticipated film of Cannes, Michael Haneke’s Happy End. Starring Isabelle Huppert, Jean-Louis Trint...
A rare film that we didn't even know was going to exist at the start of the year, Claire Denis is back with a new drama starring Juliette Binoche, Gérard De...
From the streets of New Jersey, here comes Patti Cake$. Directed by Geremy Jasper, his debut follows Patricia Dumbrowski (Danielle MacDonald), a woman from ...
It may not win the Palme d'Or if the jury president has his way, but that doesn't lessen our anticipation for Bong Joon-hoo's Snowpiercer follow-up Okja. St...
Cannes Film Festival has now kicked off (our review of the opening night film) and there's still a wealth of highly-anticipated films left to premiere, thre...
Pasolini included an “essential bibliography” in the opening credits of Salò, or the 120 Days of Sodom, proffering five philosophical titles by the likes of Rol...
A few years ago we explored the filmography of one of our most under-appreciated directors, Matías Piñeiro, and now he's back for what looks to be his most ...
