Whether you like it or not, the most-buzzed about film in Sundance’s 2011 line-up is Kevin Smith‘s Red State. His showboat antics created rampant chatter since well before the production of Red State. We just saw the film here in Park City and recorded his entire Q-less Q & A. We’ve already highlighted his planned distribution method, but you can watch the whole video below and I apologize for a the bouts of shakiness and the few cut-outs. Smith has also unveiled the list of cities in his Red State tour, which can be viewed on the official site as well as his official statement below the video.
The Harvey Boys have witnessed first hand the vagaries of “studio math” – the byzantine numbers game that sees an uneducated media and public celebrating “huge” openings at the box office while ignoring the obscene marketing costs attached to reach those figures. We believe it’s a pyrrhic victory to simply “buy” an opening weekend by pouring millions of dollars into TV spots, billboards and print ads. As storytellers, why not instead use our creative abilities that resulted in a film in the first place to also creatively SELL that film directly to our public?
We believe the state of film marketing has become ridiculously expensive and exclusionary to the average filmmaker longing simply to tell their story. When the costs of marketing and releasing a movie are four times that film’s budget, it’s apparent the traditional distribution mechanism is woefully out of touch with not only the current global economy, but also the age of social media.
Therefore, The Harvey Boys will not spend a dime on old world media buys (such as TV/Print/Outdoor) as we self-distribute our film, Red State, in an admittedly unconventional, yet extremely cost effective, word of mouth/viral campaign.
Knowledge is power, and we believe in empowering the filmmaker – so the Harvey Boys vow to make the financials of Red State open and transparent from which anybody hoping to follow suit can learn. We will do what no studio has dared: open up our books for the world to see so anyone interested in pursuing a similar independent release strategy has a better understanding of the BUSINESS of Red State.
And if we’re successful – or even merely effective – at producing a film distribution apparatus that can stand apart from the cost-prohibitive studio model currently viewed as the only way to get a movie into a theater? It is our intent to use the groundwork we lay with Red State to aid other filmmakers in releasing THEIR films, via our newly launched SModcast Pictures.
Don’t hate the studio; BECOME the studio. Anybody can make a movie; what we aim to prove is anyone can release a movie as well
The Harvey Boys
Jon Gordon & Kevin Smith
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