Note: This review was originally published as part of our 2025 TIFF coverage. The film opens on June 19.
You can’t accuse John Early of not committing. ...
Rachel Rose’s directorial debut, The Last Day, is a moody two-hander set on the fourth of July. It stars Alicia Vikander as Julia and Victoria Pedretti as Tayl...
Labrador: Autopsy of Silence is a meticulously crafted fixation on the nuances of silence and isolation, a documenting of the long, dark rhythms of life in the...
The Rocky Horror Picture Show can be described in hundreds of ways. Over the last five decades, it’s become more than just a cult classic; it’s a cultural touc...
Perhaps I'll need to burn my cinephile card if I suggest that the Criterion Channel's best addition next month—best addition all year?—is a TV series. But I le...
There are some others making films like Mark Jenkin. His Bolex-shot, creaky-sounding cinema isn't the greatest system shock to those who've attended (one might...
Comedy icons Stan Laurel (1890-1965) and Oliver Hardy (1892-1957) will be getting a well-deserved retrospective in NYC this summer. "Laurel & Hardy," a two...
Being queer—especially in this rapidly regressive age—means becoming acquainted with a base level of fear for most of your life. It is something you learn ...
After her impressive directorial debut Test Pattern, which was nominated for both Gotham and Independent Spirit Awards, Shatara Michelle Ford returned to the f...
50-something years into a seismic career, Shinya Tsukamoto has embarked upon the rare English-language project. And in branching out, one of Japanese cinema's ...
