Note: This review was originally published as part of our 2025 Cannes coverage. The film opens in theaters on March 20.
When Donbass arrived in 2018, sandwi...
Note: This review was originally published as part of our 2025 Venice coverage. The film opens in theaters on March 20.
Sofia Coppola, Marc Jacobs, and 30 y...
Note: This review was originally published as part of our 2025 TIFF coverage. The film opens in theaters on March 20.
You almost believe Amir (Dhafer L'Abid...
An impressive directorial debut and true New York tale, Joel Alfonso Vargas' Mad Bills to Pay (or Destiny, dile que no soy malo) was a selection at Sundance, B...
If on sabbatical, return with the undeniable. Such was the thinking in programming films by two masters to mark the return of my screening series Amnesiascope,...
Criterion's history is longer and more complicated than anybody quite realizes, leaving some of their earliest (or even recent-ish) titles in a strange, semi-c...
“Someone at Sony Ericsson did a very good job!” Shielded from Locarno’s scorching heat inside the air-conditioned lobby of the Kursaal theater, Alexandre Kober...
Following up Evil Does Not Exist and Gift, Ryusuke Hamaguchi is returning this year with All of a Sudden. The French production, starring Virginie Efira and Ta...
Thornton Wilder’s meta-play Our Town, a staple of high school productions and English-class readings, has been used countless times onscreen—from its own adapt...
Before he heads off to embark on his James Bond film, Denis Villeneuve is concluding the saga that has taken up much of the last decade. Going by the more mark...
