Following in the vein of last year’s excellent Ballet 422, First Monday In May offers another process-heavy view into the preparation of a prestigious event. T...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
"Todd Haynes' filmography is often overwhelming in its intellectual acumen and emotional devastation," we noted upon the release of his latest film this past fa...
It's one of the oldest rules in the book, or at least the most resilient since the early '90s: if Christopher Doyle was involved in a film, said film will l...
The wait for a new Wong Kar-wai picture might be long, frustrating, and filled with doubt, yet the results tend to be immensely satisfying and, in terms of ...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
From his years shooting and directing features, most notably under the guidance of Wong Kar-wai, Christopher Doyle's developed a love and eye for Hong Kong ...
Being one of the 21st century's most acclaimed films, Wong Kar-wai's In the Mood for Love is quickly approaching the point where everything that can be said...
The Cannes Film Festival represents the pantheon of arthouse cinema, so it does raise eyebrows when a wuxia movie is included in its official selection. After a...
