Chuck looks a bit familiar. A film of browns and greens; disco music and ‘70s rock tunes; big haircuts and even bigger lapels. Indeed, in a way reminiscent of r...
In Arrival, prolific Québécois director Denis Villeneuve ponders the ramifications and possibilities of a potential first-contact between human beings and an ad...
One of the last question marks of the early fall film festival onslaught was Telluride Film Festival, who announces their line-up just a day before the even...
The Beautiful Days of Aranjuez, the latest wistful, contemplative narrative effort from German director Wim Wenders, is the type of “European Film” you might ha...
By Jove, here's a real find: in the 1980s, Michelangelo Antonioni traveled with his partner, actress and filmmaker Enrica Fico Antonioni, to Japan with the ...
There’s a great recurring gag in Whiplash director Damien Chazelle’s La La Land -- a beautiful, audacious, aesthetically vibrant, and enchanting contemporary mu...
In a very short time we'll be getting the first reviews for Denis Villeneuve's foray into sci-fi, Arrival, but first, following the trailer debut, the debut...
Despite being packaged as the kind of period weepy Nicholas Sparks would kick himself for not coming up with first, it’s clear what attracted a director like De...
