Hong Sangsoo

Cannes Review: Hong Sang-soo Mixes Signature Ingredients for His Dry, Dense, Darkly Comic ‘The Day After’

Hindsight is a marvelous thing. To quote the lead character of a recent Hong Sang-soo film (and by recent we mean Claire’s Camera, the second of three the proli...

First Trailers and Clips for Hong Sang-soo’s ‘Claire’s Camera’ and ‘The Day After’

Amongst our most-anticipated of the Cannes line-up are the next two films from Hong Sang-soo, who brought one of the year's best films so far to Ber...

First Trailer for Hong Sang-soo’s Cannes-Bound ‘The Day After’

After bringing one of the year’s best films so far to Berlinale with On the Beach at Night Alone, Hong Sang-soo is returning to Cannes with his second and t...

First Images from Hong Sang-soo’s Cannes-Bound ‘Claire’s Camera’ and ‘The Day After’

After bringing one of the year's best films so far to Berlinale with On the Beach at Night Alone, Hong Sang-soo is returning to Cannes with not only his sec...

Kim Min-hee is ‘On the Beach at Night Alone’ in New Trailer for Hong Sang-soo’s Latest

Thanks to last year's U.S. distribution of Right Now, Wrong Then, Hong Sang-soo has reached a wider audience stateside than ever before. While we're still w...

First Trailer for Hong Sang-soo’s NYFF Selection ‘Yourself and Yours’

What to do that will get more people watching Hong Sang-soo's films? Is my hard-wired belief that he's one of the greatest (if not the very greatest) living...

Exclusive: U.S. Trailer for Hong Sang-soo’s ‘Right Now, Wrong Then’

Rare is the occasion when distribution news is cause for celebration, but we liked Hong Sang-soo's Right Now, Wrong Then so much that its arrival in the U.S...

New Distributor Grasshopper Announce Slate with Films from Farhadi, Costa, Hong, Alonso & More

There are many reasons Cinema Guild is probably our favorite distributor, chief among them the sense that their slate consists almost entirely of titles tha...

Hong Sang-soo, Leonardo DiCaprio, and More Developing New Projects

Update: The title (Yourself and Yours) main cast (Kim Joo-hyuck and Lee You-young; not the Right Now, Wrong Then stars), and synopsis for Hong's 18th featur...

First Trailers For New Films From Takashi Miike, Hong Sang-soo, and Kiyoshi Kurosawa

Today brings our first look at footage from a trio of highly-anticipated international features. First up, Takashi Miike is already embarking on his next fe...

News

MUBI’s October 2023 Lineup Features Passages, Tsai Ming-liang, Luchino Visconti & More

The Criterion Channel’s October Lineup Includes ’90s Horror, Techno Thrillers, James Gray & More

Martin Scorsese Speculates on Retirement: “A Couple More, One More Maybe, and That’s It, Okay?”

Trailers

The Curse Teaser: Nathan Fielder, Emma Stone & Benny Safdie Want to Fix Your Home

May December Trailer: Natalie Portman Digs into Julianne Moore’s Controversial Past in Todd Haynes Drama

Jessie Buckley & Riz Ahmed Question Their Love in First Trailer for Christos Nikou’s Fingernails

Reviews

NYFF Review: Andrew Haigh’s All of Us Strangers is a Heartbreaking Ghost Story

NYFF Review: Mambar Pierrette is an Ode to Working-Class Mothers

NYFF Review: In The Pigeon Tunnel, Errol Morris Pays Extensive Homage to Spy Novelist John le Carré

Features

NYC Weekend Watch: Summer Hours, Klute, Gregg Araki & More

New to Streaming: Four Shorts by Wes Anderson, Flora and Son, Dreamin’ Wild, and More

8 Undistributed Films to See at the 61st New York Film Festival

Interviews

Cinematographer Ed Lachman on Being Pablo Larraín’s “Dance Partner” for El Conde

Terence Davies on Bringing Poetry to Life, Directing His New Short, and Planning His Next Feature

Wayne Wang on His Diverse Filmography, Revisiting Old Work, and the Time Gangsters Visited His Set

Podcasts

The B-Side – Michael Keaton: Part II (with Cory Everett)

Watch: Cinephile Summer Season Finale Features The Film Stage vs. Bright Wall/Dark Room

The B-Side – In Conversation with Dustin Guy Defa