Hong Sang-soo completists have found themselves haunted by List, the one 30-minute bit of his filmography -- among the most continuous, flowing in modern ci...
“He’s hardly a real auteur,” says a woman of an arthouse director in Hong Sangsoo’s achingly melancholic Hotel by the River, “and he does ambivalent stuff.” Hon...
Despite a filmography that includes over 20 features, it's only been in recent years that prolific South Korean director Hong Sangsoo has gotten his due in ...
2017 marked a banner year for unfathomably prolific South Korean director Hong Sangsoo, who debuted a trio of his greatest films all in the first half of th...
Difficult though it can be to parse through Hong Sang-soo's oeuvre -- an onslaught of projects that continued with the recent premiere of Grass and is likel...
It was only a few days ago that Hong Sang-soo premiered his latest film, Grass, at Berlinale (our review), but the United States is still awaiting the relea...
If you happen to be in need of motivation, take a moment to consider that South Korean filmmaker Hong Sang-soo has released fourteen feature-length movies this ...
For the fourth time in just one year, Korean cinema's hottest / most-controversial couple have a (likely excellent) film to premiere. Following the masterfu...
With his nimble means of production resulting in some of the most formally profound, emotionally introspective films of this century thus far, South Korea's eve...
God bless Cinema Guild. They've picked up the three newest films from Hong Sang-soo and the first out of the gate here in the U.S. is his Berlinale winner, ...