Locarno often serves as a bellwether for how the next year -- or, given problems many of these films encounter when seeking distribution, few years -- of in...
Those wanting a better look at Terence Davies should consider his Sight & Sound list of ten favorite films. This, more than any other collection, has the ai...
After highlighting our 30 favorite films of the year thus far, it's time to transition to the back half of 2015 and kicking things off in July is a fairly major month....
While the major attraction of film festivals is, well, the films themselves, they can also provide opportunities unavailable elsewhere. Such was the case ba...
Despite earning a place at last year's Venice International Film Festival and this year's New Directors / New Films -- and regardless of the fact that it pi...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
Merely two years after his four-hour At Berkeley and only one year after his three-hour National Gallery, the great Frederick Wiseman has been hard at work ...
"My films are all about love. In this case, it’s love for music. It’s not love for girls. This character can’t really find the woman of his life, because he always has to change, and he can’t find stability. But there’s this love for music that stays with him until the end."...
We talk with the Best Director winner about the extended gap between features, how and why his picture differs from many a wuxia entry, and more about his masterpiece....
