We met Frémaux at the Marrakech film festival recently and found him in an affable mood, happy to discuss how his job has changed in those tumultuous years....
Few films this year serve as a cinematographer's showcase in quite the same way as The Favourite, which one might easily believe was designed from the top-down as an opportunity to indulge in visual touchstones, eccentricities, and a flourish by any other name. ...
One of the most powerful cinematic experiences I've had this year is with Khalik Allah's Black Mother, a poetic, spiritual exploration of Jamaica through th...
Following its world premiere at the Cannes Film Festival earlier this year – as well as subsequent screenings at a handful of other festivals including Sydn...
Judging by its prominent presence at midnight sidebars of film festivals everywhere, it’s fair to say Korean cinema has got the genre game down. The feature deb...
For the past year Adam McKay’s Vice, which chronicles the political rising of Vice President Dick Cheney (Christian Bale) and his wife Lynne Cheney (Amy Ada...
Every once in a while there comes some serious difficulty in reviewing a film, chiefly one with noble aesthetic and ideological ambitions. Roberto Minervini’s n...
While most fall film festivals are fairly evenly spaced out as to not step on each other's toes, that's not the case when it comes to Telluride Film Festiva...
