When Two of Us begins, we meet Nina (Barbara Sukowa) and Madeleine (Martine Chevallier) a couple whose comfort with each other is palpable through their silenc...
Times are hard, and most of the time so is Frank (Arieh Worthalter). In Nadège Trebal’s Twelve Thousand, this charismatic French grifter sees sex less as commo...
Mexican art cinema in the last two decades has been defined by a confrontational formalist rigor most widely seen in the films of Carlos Reygadas and Amat Esca...
Taking place January 28 through February 3 next year, the 2021 Sundance Film Festival will look quite different than ever before. After unveiling their screeni...
Like Jia Zhangke’s Still Life, Giraffe is a fiction sketched around the margins of an infrastructure project, capturing impressions of life and landscape in a ...
Northwest India’s Jammu and Kashmir region resides at the center of a longstanding geopolitical stalemate involving neighboring Pakistan. While those tensions ...
The success of Paweł Pawlikowski’s Ida and Cold War has revealed, among arthouse audiences, a heretofore unimagined ravenous hunger for Eastern Bloc period dra...
The original Spanish-language title of Identifying Features is Sin Señas Particulares, or “No Particular Signs”—a reference to the individuating marks found, o...
With early rollouts of vaccines offering a sliver of silver lining to this most tumultuous of years, film festivals around the world already begin anticipating...
It’s difficult enough for anyone to sort through the artifacts of their deceased parent or grandparent’s home and figure out what to save, what to donate, and ...
