Set to premiere at Berlin International Film Festival's Forum section this week is From Where They Stood (aka À pas aveugles), which takes a unique look at Hol...
First paragraphs of Hong Sang-soo reviews often dwell on the Korean master’s penchant for self-repetition, soothing readers that narrow expectations will be fu...
An aura of pure eccentricity billows off the new film by Québécois provocateur Denis Côté, like a fug of stale-smelling nitrous oxide. Akin to his prior work o...
The line between fairy tale and horror proves a thin one in Igor Drljaca's The White Fortress thanks to the differing perspectives of young love in Sarajevo. W...
For his first narrative feature Natural Light, Hungarian filmmaker Dénes Nagy (who has worked in documentary since as far back as 2008) follows in the footstep...
The big draw to Fred Baillif's fictional look inside a residential care facility housing teenage girls is the fact that he refuses to pretend his setting is an...
As one half of the incendiary and oddly prescient Red Scare podcast, the Belarusian-born, New York-based actress, writer, and (now) filmmaker Dasha Nekrasova o...
Fresh off the recent release of his poster for Shudder's debut of George Romero's "lost" film The Amusement Park, graphic designer Aleksander Walijewski has an...
Scottish painter James Morrison might not be the most internationally famous painter in the world, but in Scotland, he is a legendary figure. It’s impossible t...
A poignant blend of science and culture, Ajitpal Singh’s feature debut Fire in the Mountains was inspired by the director’s own experiences with religiously-in...
