As last year's Berlinale premiere The Woman Who Ran arrives in the U.S. next week—followed by his next film Introduction at the German festival earlier this ye...
Greek tragedy echos through the modern-day Korean #MeToo movement in Ougie Pak’s Clytaemnestra. Made on the fly at an acting workshop in Greece, the film follo...
An art object is not just art—it can also be a tool that confers power. The contemporary art world has often come under fire as a marketplace of assets for the...
In a year that isolated us with grief and loss, how do we find a renewed sense of connection to the world around us? This seems to be the question that Roaring...
As cities across the world were forced to issue mandatory lockdowns at the start of last year’s COVID-19 pandemic, some Internet commentators light-heartedly p...
Josef Kubota Wladyka’s second feature, Catch the Fair One, follows a boxer, Kaylee (real-life boxing champion Kali Reis), trying to find and save her sister fr...
The summer of Sparks continues. Following the release of Edgar Wright's documentary The Sparks Brothers (check out our interview with those involved here), Leo...
“Studying whale culture might be more about glimpsing something in ourselves,” says Dr. Ellen Garland in the new documentary Fathom. She’s a scientist who stud...
Yes, sure, all the new films are exciting and sure to dominate discourse from here to January, but every year (i.e. when a pandemic doesn't kneecap them) the C...
While all sights are focused on Cannes Film Festival over the next month, the fall festival corner is right around the corner. Toronto International Film Festi...
