After many years of radio silence on Elaine May's Crackpot, a comedy starring Dakota Johnson that was planned to be the 92-year-old filmmaker's fifth and final...
Premiering way back some 27 months ago at the 2022 Sundance Film Festival, we've been curious what happened to Tig Notaro and Stephanie Allynne’s directorial f...
Ask and you shall receive. A couple weeks ago I had some flash of memory about Crackpot, the new Elaine May feature––her first since Ishtar, released during Ro...
One of the breakout films of 2020's SXSW Festival was Cooper Raiff's Grand Jury Prize-winning Shithouse. The 23-year-old director, writer, actor, and editor is...
While it's an understandably strange time to review a film, it feels refreshing to review a nice film. The High Note, directed by Nisha Ganatra, tells the stor...
Outside the likes of Charles Laughton and Barbara Loden, there are seldom filmmakers who have earned such a reputation after directing so few films as Elaine M...
It's October, which means a season of horror awaits, but aside from a few compelling genre options this month, one might be best served to queue some classics. ...
One of the biggest question marks of the year was if, in fact, the horror-thriller Wounds would make its way to screens before 2019 ends. Babak Anvari’s fol...
An adventure about the triumph of the human spirit, the diversely cast The Peanut Butter Falcon picked up an SXSW Audience Award a few months ago and now will...
