Matthieu Laclau is a French editor who has been working in China and Taiwan since 2008. His collaboration with director Jia Zhangke in A Touch of Sin won him B...
When we say a filmmaker is in another league, we typically mean it in a good way––they’re a cut above the rest. But when we say it about Guy Maddin, it doesn’t...
“Everyone has at least one person in Mumbai.” “There’s work and money in Mumbai. Who would want to go back?” “You better get used to the impermanence.” Like po...
The 76th edition of the Cannes Film Festival has now concluded, with Sean Baker's Anora taking home the Palme d'Or. While our coverage will continue with a few...
Headlines read, "Leos Carax Bring Back Baby Annette to the Croisette," but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas...
For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Com...
The chic balconies of Marseille certainly offer an image that is photogenic enough to open Noémie Merlant’s sophomore feature, The Balconettes, especially as s...
Simply put, Brazilian motels are places for people to have sex. Everyone knows it, no one objects to it. You pay by the hour and the suite is yours––a big bed,...
Coralie Fargeat made a splash with her debut Revenge. But she was only standing in a puddle, endearing niche corners of the global cinephile community to her c...
When it was announced Arnaud Desplechin's next feature Spectateurs! (titled the less-appealing Filmlovers! in English) would be a) a docu-fiction hybrid; b) ab...
