The Film Stage - Page 986

‘The Miseducation of Cameron Post’ Trailer: Chloë Grace Moretz Endures Gay Conversion Therapy in Sundance Winner

On her prom night, Cameron Post (Chloë Grace Moretz) gets caught making out with her high school girlfriend in the parking lot, resulting in her parents sen...

Review: ‘Dark Money’ Shines Light on Slippery Spending in Campaign Finance

Campaign finance is a phrase that lingers on the fringes of most political conservations, though rarely the center of focus. Dark Money, directed by Kimberly Re...

Review: Keanu Reeves Brings His Charm to ‘Siberia,’ But the Plot Will Leave One Cold

One of a myriad quasi-thrillers set overseas, featuring a bankable star, and centered on the convergence of commerce and crime, Siberia is an oddity. These drop...

First Trailer for Yorgos Lanthimos’ ‘The Favourite’ Starring Emma Stone, Rachel Weisz, and Olivia Colman

After the one-two English-langue punch of The Lobster and The Killing of a Sacred Deer, Yorgos Lanthimos is back, and he's behind perhaps Fox Searchlight's ...

Restoration Trailer for Jacques Rivette’s ‘The Nun’ Starring Anna Karina

Following its initial premiere at the Cannes Film Festival 52 years ago, Jacques Rivette's breathtaking French drama The Nun – also known by its French titl...

‘Buried’ Director Rodrigo Cortés Goes ‘Down a Dark Hall’ in First Trailer

After a six-year hiatus from feature length filmmaking, Spanish director Rodrigo Cortés is finally back with his latest fantasy horror picture Down a Dark H...

New to Streaming: ‘You Were Never Really Here,’ ‘Lean on Pete,’ ‘Ismael’s Ghosts,’ ‘Ready Player One,’ and More

All the newly streaming films of Netflix, Amazon, FilmStruck, and more....

NYC Weekend Watch: The New York Woman, Lau Kar-leung, ‘Holy Motors’ & More

The best films screening in NYC this weekend....

Karlovy Vary Review: ‘The World is Yours’ Continues Romain Gavras’ Brand of Poetic, Ironic Postmodernism

Near the close of Howard Hawks’ 1932 film Scarface, Paul Muni’s worn out hoodlum looked up to see a billboard for Cook’s Tours with a slogan that, with more tha...

Karlovy Vary Review: “I Do Not Care If We Go Down in History as Barbarians” is Radu Jude’s ‘Day for Night’

Inverted commas withstanding, “I Do Not Care If We Go Down in History as Barbarians” seems like an awfully long and pretentious thing to call a film. Indeed, it...

News

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

The Wizard of Kremlin Review: An Irrelevant, Cynical Approach to Vladimir Putin’s Russian

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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