The Film Stage - Page 984

Carey Mulligan Finds Freedom in Full Trailer for Paul Dano’s ‘Wildlife’

Known for his incredible work in films like There Will Be Blood and Love & Mercy, actor Paul Dano is stepping behind the camera this year with the film ...

Venice Review: ‘The Nightingale’ is a Wrenchingly Violent, Timely Compelling Quest for Justice

Jennifer Kent’s The Nightingale features some of the most atrocious on-screen violence in recent memory. It is a cauldron of blood, murders, and rapes so unflin...

First Trailer for ‘Kursk’ Starring Matthias Schoenaerts, Colin Firth, and Léa Seydoux

After breaking through with his Dogme 95 films, Thomas Vinterberg has blossomed into quite the dexterous filmmaker, from harrowing drama like The Hunt to he...

First Trailer for Dominga Sotomayor’s Locarno Winner ‘Too Late to Die Young’

One of the best discoveries of the year is Dominga Sotomayor's Chilean drama Too Late to Die Young, which earned the filmmaker a Best Director award at Loca...

The Film Stage Show Ep. 307 – Support the Girls

We discuss Andrew Bujalski's Andrew Bujalski's workplace-set comedy-drama and what's under its crowd-pleasing surface....

‘At Eternity’s Gate’ Trailer Previews Willem Dafoe’s Career-Best Performance

Last year, Willem Dafoe earned a great deal of acclaim for his tender supporting turn in The Florida Project. The venerable actor's streak will continue thi...

Posterized September 2018: ‘Mandy,’ ‘The Sisters Brothers,’ ‘Colette,’ and More

We explore the art of the month....

Venice Review: ‘Monrovia, Indiana’ is a Quaint, But Important Chapter in Frederick Wiseman’s Great Oeuvre

Veteran filmmaker Frederick Wiseman adds a quaint but important little chapter to his great oeuvre with Monrovia, Indiana. It's 143 minutes long, which is about...

The B-Side – Hugh Jackman

Dan Mecca and Gavin Mevius discuss the b-side to Hugh Jackman's career, specifically the films he made in between X-Men and X2....

Venice Review: ‘Sunset’ is a Masterful Drama Full of Captivating Ambiguities

"Let's see what's behind this." That's the very first line we hear in Sunset, László Nemes' masterful follow-up to his 2015 breakout Son of Saul, a daring debut...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

12 Films to See in July

New to Streaming: Blue Heron, I Love Boosters, Tuner, The Sheep Detectives & More

The Best Films of 2026 (So Far)

Interviews

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

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