The Film Stage - Page 974

‘Hale County This Morning, This Evening’ Trailer Takes a Poetic Look at Life in Alabama

One of the most poetic, transportive documentaries of the year is RaMell Ross' Hale County This Morning, This Evening, a portrait of life in Alabama told in...

Venice Review: Damien Chazelle’s ‘First Man’ is a Majestic, Deeply Tragic Epic

“When you get a different vantage point, you get a new perspective,” says Ryan Gosling to a group of NASA officials recruiting astronauts early into Damien Chaz...

First Trailer for Orson Welles’ ‘The Other Side of the Wind’ Previews the Cinematic Event of the Year

The best film of 2018 just may be from a director who has been dead for over three decades. Throughout the better half of the '70s, Orson Welles embarked on...

Locarno Review: ‘La Flor’ is an Audacious, Deeply Moving Triumph of Storytelling

Tucked deep into Mariano Llinás’ monumental 14-hour, 3-part, 6-episode epic La Flor is a montage that only spans a few minutes. Introducing the film’s third and...

‘A Private War’ Trailer: Rosamund Pike is Under Attack in Matthew Heineman’s Narrative Debut

After being on the front lines of documentary filmmaking with his U.S.-Mexico border expose Cartel Land, followed by his dive into ISIS with City of Ghosts,...

First Trailer for Carlos Reygadas’ Venice-Bound ‘Our Time’

Six years after Post Tenebras Lux, Mexican filmmaker Carlos Reygadas is returning. The highly-anticipated Our Time (aka Nuestro Tiempo) will premiere at the...

Our 20 Most-Anticipated Fall 2018 Festival Premieres

We highlight the films without a confirmed fall release we can't wait to see at festivals....

Robert Redford Goes Bank Robbin’ in New Trailer for David Lowery’s ‘The Old Man & The Gun’

Just ahead of its world premiere at the Toronto International Film Festival next month, Fox Searchlight has now released the second full trailer for The Old...

Review: ‘The Wild Boys’ is a Gleefully Transgressive, Phantasmagoric Experience

It is always a suspect decision to call a film “indescribable,” at least when assessing it as a whole. Certain aspects may and often do elude one’s ability to c...

Locarno Review: ‘Hotel by the River’ Ushers in an Unexpectedly More Tragic Hong Sangsoo

“He’s hardly a real auteur,” says a woman of an arthouse director in Hong Sangsoo’s achingly melancholic Hotel by the River, “and he does ambivalent stuff.” Hon...

News

Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: The Meltdown Is an Elusive Chilean Chiller

Cannes Review: Asghar Farhadi’s Parallel Tales Is an Ambitious If Tedious Take on Kieślowski

Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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