The Film Stage - Page 965

Venice Review: ‘Arrivederci Saigon’ Looks at the Vietnam War Through a Female Perspective

After Ken Burns’ exhaustive, comprehensive documentary series The Vietnam War aired last year there was little in the way of answers to the lingering question o...

Venice Review: ‘Soni’ Renders a Feminist Story Flat

When Alfred Hitchcock decided to shoot his parlor mystery-thriller Rope in what appeared to be one long, continuous take he unknowingly opened Pandora's box. Af...

First Trailer for SXSW Winner ‘Thunder Road’ Captures a Police Officer in Chaos

Officer Jim Arnaud has been having a rough go of it as of late. He lost his mother, his job, and custody of his daughter Crystal. These personal tragedies a...

Venice Review: ‘Shadow’ is a Stunning Wuxia Epic from Zhang Yimou

With its gorgeously choreographed sword duels, sabers slicing through paddles of blood and rain, watercolor bi-chromatic palettes and sumptuous costumes, Zhang ...

TIFF Review: ‘Angel’ Features a Luminous Breakthrough Performance by Fatou N’Diaye

Two lost souls struggling to reconcile their image meet in Senegal by chance. One's a prostitute — although she rejects the label and the registration card that...

TIFF Review: ‘Kingsway’ Effectively Shows How Sarcasm Can Heal Wounds

Love and suicide. Those are the words director Bruce Sweeney says inspired him to write Kingsway and are very much at the forefront of his dramedy about the dys...

TIFF Review: ‘The Most Beautiful Couple’ Explores the Toxicity of Reactions to Trauma

It starts with a rape. I won't lie: I sighed thinking Sven Taddicken's The Most Beautiful Couple was going to end up another drama about coping and retribution ...

TIFF Review : ‘The Truth About Killer Robots’ Looks at the Future from a Machine’s Point-of-View

The title to Maxim Pozdorovkin's documentary The Truth About Killer Robots is intentionally sensationalized for the same reasons a real newspaper article about ...

TIFF Review: ‘Jessica Forever’ Imagines a Surreal Sci-Fi World Where Orphans Have No Rights

Redemption is a tricky concept. Can you be redeemed without forgiveness from those you wronged? Are our actions in the aftermath enough to achieve some semblanc...

The Film Stage Show Ep. 308 – Madeline’s Madeline

We discuss Josephine Decker's formally daring new film and its depiction of the creative process and mental illness....

News

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Catherine Breillat Sets Next Film With The German Cousin

Trailers

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Nostalgia for the Future Exclusive Trailer: Charlotte Rampling Travels Through Chris Marker’s World in Cannes Premiere

Reviews

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

The Wizard of Kremlin Review: An Irrelevant, Cynical Approach to Vladimir Putin’s Russian

Cannes Review: Kantemir Balagov’s Butterfly Jam Can’t Find a Rhythm

Features

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

New to Streaming: The Drama, Send Help, Exit 8, and André Is an Idiot

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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