If you haven't been following him on Twitter, David Krumholtz has been one of the very few reasons to stay up to date on the happenings of that godforsaken sit...
One of the most promising American indies of the year, Ryan Martin Brown's Free Time brings together Colin Burgess, Rajat Suresh, Holmes, James Webb, Eric Yate...
Two things can be true at once. The old debate over whether Hong Sangsoo's cinema is overly earnest or self-aware was always a bit reductive––when the most lig...
Like a chimera of any intelligent person's least-favorite storytelling models, we are (in the sense of a diagnosis) finally seeing the cinematic universe inter...
After dividing audiences with Men, Alex Garland is back with what looks to be his most ambitious directorial outing yet. Civil War, which follows a divided, ne...
The films of Canadian director Kazik Radwanski are freedom in its purest form, or the purest this particular medium can contain. Being the opposite of prescrip...
It's a good time to be a Sofia Coppola fan. Alongside last fall's release of one of her finest films, Priscilla, we got an expansive book detailing her career....
Playing his signature brand of rural French absurdity in stark counterpoint to the grandiose strains of a space opera, Bruno Dumont returns with The Empire: hi...
Tucked deep into Don DeLillo’s Underworld is an exchange between the novel’s protagonist, Nick Shay, and one of his teachers, a Jesuit priest. It concerns lang...
It's hard to believe it's been nearly a decade since the last film from Gore Verbinski, 2016's A Cure for Wellness, but after being attached to a handful of pr...