The Film Stage - Page 93

NYC Weekend Watch: Chantal Akerman, Terence Davies, 70mm & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtA complete Chantal Akerman retrospective has begun; series on New ...

TIFF Review: Julian Offers a Queer Love Story of Pain and Preservation

It’s a fleeting, impermanent moment. At a concert, Fleur (Nina Meurisse) locks eyes with Julian (Laurence Roothooft) just as she takes her seat, and suddenly a...

The History of Sound Review: A Tenderly Felt Drama with Terence Davies-Style Musicality

Note: This review was originally published as part of our 2025 Cannes coverage. The History of Sound opens in theaters on September 12. It’s strange to hear...

Happyend Review: Neo Sora Poignantly Explores our Responses to an Impending Future

Note: This review was originally published as part of our 2024 Venice coverage. Happyend opens in theaters on September 12. “Something big is about to chang...

Sunfish (& Other Stories on Green Lake) Review: Directorial Debut Captures Bittersweet Longing

Note: This review was originally published as part of our 2025 Sundance coverage. Sunfish (& Other Stories on Green Lake) opens in theaters on September 12...

Rabbit Trap Review: Dev Patel Leads Wholly Immersive Horror Story

Note: This review was originally published as part of our 2025 Sundance coverage. Rabbit Trap opens in theaters on September 12. It’s always thrilling when ...

TIFF Review: Claire Denis’ The Fence Takes an Unnerving Stare Into Darkness

Is the idea of a Claire Denis film changing? There was likely an image one formed in their head when that name emerged: elliptical, sexy, avant-garde. Yet rece...

Urchin Trailer: Harris Dickinson’s Riveting Directorial Debut Arrives This October

While the only thing more hit-or-miss than directorial debuts are directorial debuts from actors, one of the more accomplished in recent memory is Harris Dicki...

Where to Land Review: Hal Hartley Returns with Shaggy and Spellbinding Drama

“I’m done being a superhero.” An international movie star who’s become synonymous with her intergalactic onscreen persona in a wildly successful television...

“I Like Films That Are Quieter in Their Execution”: Sierra Falconer on Sunfish (& Other Stories on Green Lake)

Sunfish (& Other Stories on Green Lake) is the kind of small film you hope to discover at a festival. Written and directed by Sierra Falconer in her featur...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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