The Film Stage - Page 900

The Ontology of Hot Guys is Debated in Exclusive Clip from ‘The Plagiarists’

A shot in the dark I expect to prove on-target: there will be no film (commercially released) this year at all like The Plagiarists, a lo-fi comedic whatsit...

‘Shaft’ Review: A Perfectly Good Opportunity Wasted in Favor of Sitcom Action Humor

It’s no wonder Netflix is distributing the latest work in the Shaft cinematic universe internationally, skipping a theatrical release in many territories. Tim S...

A Couple’s Life is Upended in Trailer for Acclaimed Comedy ‘The Plagiarists’

An official Selection of the Berlin International Film Festival and directed by experimental filmmaker Peter Parlow, The Plagiarists opens on June 28. Anna (L...

‘The Command’ Review: An Examination of Negligence, Told Plainly and Mercilessly

In the summer of 2000, the Russian submarine named Kursk took on a naval exercise in the Barents Sea, the first of its kind since the fall of the Soviet Union a...

NYC Weekend Watch: ‘Police Story,’ Jarmusch, ‘Paris Is Burning’ & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

Watch Claire Denis’s Rare ‘Keep It for Yourself,’ Starring Vincent Gallo

Le Cinéma Club, the boutique one-per-week streaming service, returns with... admittedly, vengeance is a strong word, so maybe not that, but certainly a thro...

The Film Stage Show Ep. 351 – Domino

Welcome, one and all, to the latest installment of The Film Stage Show! Today, Michael Snydel, Bill Graham and I are joined by Adam Nayman to talk about the...

BAMcinemaFest Review: ‘Sunrise/Sunset’ Gazes on NYC as a Foreign Metropolis

The story of filmmaking in New York City is incomplete without consideration of the foreign-language films that are regularly made here. Such films—off the top ...

Clint Eastwood Sets Sam Rockwell and ‘BlackKklansman’ Actor for ‘Richard Jewell’

Long-developing, now active in a major way, Richard Jewell is likely Clint Eastwood's next directorial project (and follow-up to absolute heater The Mule). ...

‘Men in Black: International’ Review: New Cast Offers Old Tricks With Some Twisty Updates

A million years (actually 22/23 years) ago, the world was given two Will Smith-starring, alien-fighting blockbusters within 364 days of one another. And though ...

News

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Alice Rohrwacher to Direct The Baron in the Trees; Next Film to Be Primarily Silent

Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

Trailers

Cemre Paksoy’s Hands Are Tied In Trailer for Georgia Bernstein’s Sinister Sundance Favorite Night Nurse

Marcello Mastroianni Yearns In Trailer for 4K Restoration of Luchino Visconti’s White Nights

Exclusive Trailer for Greg Vrotsos’ Feature Debut Situations Follows a Journey of Love and Ambition in Los Angeles

Reviews

The Death of Robin Hood Review: A Portrait of the Outlaw as a Bald-Faced Lie

Tribeca Review: Here I’m Alive Is a Raw, Intimate Look at Messy New York Lives

I Am Frankelda Review: Mexico’s First Stop-Motion Feature Speaks Truth to Power

Features

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Douglas Sirk in 3D, The Organizer, Body Double & More

The Film Stage’s 2026 Tribeca Festival Portrait Gallery

Interviews

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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