Welcome to The B-Side, from The Film Stage. Here we explore movies from established stars that flopped at the box office, have been forgotten by time, or remain...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Is it possible for a documentary about the Rolling Stones to be (gulp) boring? Probably not. There are, after all, endless stories of the brilliance, boldness, ...
Tom Harper’s Wild Rose is a film whose fixation on authenticity is directly at odds with its own craft. A corrective to the recent spate of self-absorbed super...
A shot in the dark I expect to prove on-target: there will be no film (commercially released) this year at all like The Plagiarists, a lo-fi comedic whatsit...
It’s no wonder Netflix is distributing the latest work in the Shaft cinematic universe internationally, skipping a theatrical release in many territories. Tim S...
An official Selection of the Berlin International Film Festival and directed by experimental filmmaker Peter Parlow, The Plagiarists opens on June 28. Anna (L...
In the summer of 2000, the Russian submarine named Kursk took on a naval exercise in the Barents Sea, the first of its kind since the fall of the Soviet Union a...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Le Cinéma Club, the boutique one-per-week streaming service, returns with... admittedly, vengeance is a strong word, so maybe not that, but certainly a thro...