The Film Stage - Page 889

The Film Stage Show Ep. 351 – Domino

Welcome, one and all, to the latest installment of The Film Stage Show! Today, Michael Snydel, Bill Graham and I are joined by Adam Nayman to talk about the...

BAMcinemaFest Review: ‘Sunrise/Sunset’ Gazes on NYC as a Foreign Metropolis

The story of filmmaking in New York City is incomplete without consideration of the foreign-language films that are regularly made here. Such films—off the top ...

Clint Eastwood Sets Sam Rockwell and ‘BlackKklansman’ Actor for ‘Richard Jewell’

Long-developing, now active in a major way, Richard Jewell is likely Clint Eastwood's next directorial project (and follow-up to absolute heater The Mule). ...

‘Men in Black: International’ Review: New Cast Offers Old Tricks With Some Twisty Updates

A million years (actually 22/23 years) ago, the world was given two Will Smith-starring, alien-fighting blockbusters within 364 days of one another. And though ...

The Best Films of 2019 (So Far)

2019 is nearing the halfway mark, so it's time to take a look back at the first six months and round up our favorite titles thus far....

BAMcinemaFest Review: ‘The Hottest August’ is an Expressive, Expansive Portrait of Summer in NYC

Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all...

Cannes Review: ‘Atlantics’ Captures the Migrant Crisis Through a Ghost Tale of Perturbing Beauty

Somewhere along the stretch of Senegalese coastline where Mati Diop’s feature-length directorial debut Atlantics takes place, a futuristic tower stands tall and...

Cannes Review: ‘Port Authority’ is a Quietly Radical, Deceptively Simple Romance

A deceptively simple romance doesn’t take away that there is something quietly radical at work in the New York love story Port Authority, set in the underground...

‘Rolling Thunder Revue’ Review: Martin Scorsese Playfully Returns to Bob Dylan’s World

Martin Scorsese has had a long, fruitful partnership with rock ’n’ roll as muse, subject, and accompaniment, and one thing at which he’s uniquely skilled is dra...

Anton Yelchin’s Enduring Legacy is Explored in the First Trailer for ‘Love, Antosha’

Anton Yelchin’s untimely death at the age of 27 almost three years ago shocked the world. From Chekov in the rebooted Star Trek franchise to his involvement...

News

New Restoration of Ken Russell’s The Devils Leads Cannes Classics 2026 Lineup

Whit Stillman Plans Return with Adam Brody-Led A Night at Claridge’s; Sebastian Stan and Ana de Armas to Lead Felipe Gálvez’s Impunity

Ryûsuke Hamaguchi’s Rare Touching the Skin of Eeriness Screens May 19

Trailers

Kamal Aljafari Documents a Vanishing Land In Exclusive Trailer Debut for With Hasan in Gaza

Dominic Sessa is Anthony Bourdain in First Trailer for Matt Johnson’s Tony

Christopher Nolan Dreams Big in the New Trailer for The Odyssey

Reviews

Blue Film Review: Masterful Two-Hander Confronts Flaws with Empathy

Our Land (Nuestra Tierra) Review: Lucrecia Martel’s Essential Document of Indigenous Resistance

This is Not a Drill Review: A Sharp Portrait of Climate Activists Who Still Fight

Features

Posterized May 2026: Renoir, I Love Boosters, Backrooms & More

New to Streaming: A Magnificent Life, Wuthering Heights, Stranger Eyes, An Unfinished Film & More

NYC Weekend Watch: Tony Leung, Bellissima, Whisper of the Heart & More

Interviews

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Arnaud Desplechin on Two Pianos, Nervous Breakdowns, and Making Cinema Bigger Than Life

“Objectivity Is Not Possible”: Lucrecia Martel on Crafting Her First Documentary

Podcasts

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

The B-Sides of Steve Martin with Eric D. Snider

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