Emerging as one of the great directors of the sensitives and complexities of youth with her three features thus far, It Felt Like Love, Beach Rats, and Never R...
There's a perfect world in which Richard Linklater's Hit Man, a through-and-through crowdpleaser suffused with wit and style, gets a theatrical release and is ...
Following up one of the best documentaries of 2023, Kokomo City (which we awarded with the 2023 Indie Film Site Network Advocate Award), director D. Smith has ...
Among our most-anticipated premieres at the 2024 Cannes Film Festival, now less than a month away, is Grand Tour, marking the return of Portuguese director Mig...
So's the power of Quentin Tarantino that an aborted project will carry more weight than most filmmakers' fussed-over opuses. Though it's been almost a year sin...
If Criterion24/7 hasn't completely colonized your attention every time you open the Channel––this is to say: if you're stronger than me––their May lineup may b...
It's been at least 15 years since Martin Scorsese first got involved with a biopic of Frank Sinatra, an almost too-logical pairing of Italian-Americans of a ce...
Taking place June 5-16, the 2024 Tribeca Festival has unveiled its features lineup, featuring a selection of narrative, documentary, and animated films. W...
I was lucky to see the new restoration of July Rhapsody, an oft-forgotten 2002 drama that represents a murderer's row of Hong Kong cinema: directed by Ann Hui ...
A selection at Telluride and TIFF last year, Christy Hall's directorial debut Daddio follows Dakota Johnson's character who picks up a cab at the JFK airport o...