The Film Stage - Page 560

Venice Review: Mona Lisa and the Blood Moon is a Joyously Scrappy New Orleans B-Movie from Ana Lily Amirpour

The way her career is headed, soon we’ll be able to collate an Ana Lily Amirpour map of the United States. A Girl Walks Home Alone at Night was set in a fantas...

Nina Hoss and Noémie Merlant Join Cate Blanchett in Todd Field’s TAR

Production is now getting underway in and around Berlin for Todd Field's first film in fifteen years, TAR. Led by Cate Blanchett, the first announcement for th...

Vicky Krieps Visits the Beach That Makes You Ponder in U.S. Trailer for Mia Hansen-Løve’s Bergman Island

Mia Hansen-Løve’s long-developing Bergman Island (starring Tim Roth, Vicky Krieps, Mia Wasikowska, and Anders Danielsen Lie) finally premiered at Cannes in Jul...

Matt Dillon on His New Doc El Gran Fellove, the Evolution of Latin Music, and the Best Thing About Making a Movie

At a certain point in the 1980s, there was no bigger movie star than Matt Dillon. Exploding into the cultural stratosphere with a trio of popular S.E. Hinton f...

Wong Kar Wai is Releasing Never-Before-Seen In the Mood For Love Footage as NFT Short Film

While Wong Kar Wai's long-in-development Blossoms Shanghai will finally see the light of day hopefully next year, the director has been revisiting his past wor...

Luzzu Trailer: A Young Father Strives to Preserve His Legacy in Sundance Winner

From producer Ramin Bahrani (Chop Shop, Man Push Cart), the directorial debut of Alex Camilleri is a heart-wrenching and naturalistic look at a Maltese fisherm...

Jonny Greenwood Says Paul Thomas Anderson is Pitching Him a “Couple of Potential Projects”

We're now a little over two months from the release of a new film by Paul Thomas Anderson and, as has become accustomed, we know almost nothing about it. With ...

Venice Review: Kristen Stewart Excels as Princess Diana in the Bold and Surprising Spencer

The contemporary royal family are more compelling as media figures than anything with much consequence to how life is lived in Britain today. They make great f...

Venice Review: Last Night in Soho is Thrilling Horror with Swinging London on the Brain

Can someone get Edgar Wright a DJ residency? Or a prime-time (or drive-time) radio slot. Few working directors are so passionate and eager to play the tunes, t...

Venice Review: Denis Villeneuve’s Dune is a Bombastic, Impersonal Imperial Space Tragedy

David Cronenberg, who certainly knows a thing about difficult literary adaptations, may have said it best: "In order to be faithful to the book, you need to be...

News

First Look at Ryusuke Hamaguchi’s All of a Sudden Starring Virginie Efira

Justine Triet Sets Next Feature with Fonda Starring Mia Goth, Andrew Scott, Frank Dillane & More

Exclusive Clip and Poster for Ramzi Bashour’s Sundance Premiere Hot Water Introduces Mother-Son Road Comedy

Trailers

A Scenario Multiplies In First Trailer for Hong Sangsoo’s The Day She Returns

Exclusive Trailer for Saša Vajda’s Berlinale Premiere The Lights, They Fall

Scare Out Trailer: Zhang Yimou’s Spy Thriller Starring Jackson Yee Arrives This Month

Reviews

Sundance Review: Ghost in the Machine Lays Out the Evils on Which A.I. is Built

Sundance Review: Aanikoobijigan Demands a Necessary Reclamation

Sundance Review: Public Access is a Kaleidoscopic Celebration of Creativity

Features

NYC Weekend Watch: Short Cuts, Strange Days, Silent Hill & More

New to Streaming: Sundance 2026, Peter Hujar’s Day, Ella McCay & More

The Best Movies Now Playing in Theaters

Interviews

The Love That Remains Director Hlynur Pálmason on the Preciousness of Time and Spontaneous Filmmaking

One Battle After Another Production Designer Florencia Martin on Building Paul Thomas Anderson’s Detailed World

“You’re Leaning Into the Ugliness”: Michael Bauman on Shooting One Battle After Another for Paul Thomas Anderson

Podcasts

The B-Side Ep. 175 – Rachel McAdams

The Best Films of 2025 and Most-Anticipated Films of 2026

The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

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