If one thing of late really sets Hong Sang-soo apart, it’s his unglamorous depiction of the film director. Appropriate to the small-scale of his corpus, these ...
In a year and festival where Steven Spielberg releases a reflective film on his own life and relationship to cinema, it's understandable that we get a war film...
General Purna (Arswendy Bening Swara) never had a son, so returning to his mansion to ready for a reelection campaign (the days of military dictatorship in Ind...
At twenty-six years of age, Brazilian Maya Gabeira was at the top of her sport. A world champion. Winner of countless awards. On covers of magazines. And reppe...
Australia’s answer to the 2022 Oscar Best Picture winner CODA is here. I’m only half-joking. Blueback is a bit better than the movie that most recently won Bes...
A hopeful and bittersweet plea for a better future, Joao Pedro Rodrigues’ 67-minute oddity Will-o’-the-Wisp covers three periods in the life of Alfredo, a “Pri...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film Archives
On Sunday, Courtney Stephens gives a live performance of her arc...
Everyone over the age of eighteen (those fifteen and older become eligible on their eighteenth birthday) will receive twenty-two dollars a month for twelve yea...
There's a reason director Michal Blasko and screenwriter Jakub Medvecký wrote Irina (Vita Smachelyuk) and her son Igor (Gleb Kuchuk) as Ukrainian nationals. Vi...