Andrea Arnold, director of stylized social-realist dramas like Red Road and Fish Tank, takes a drastic turn with an in-your-face documentary about a farmyard c...
A highlight at this year's mostly online Sundance Film Festival earlier this year, Jonas Poher Rasmussen's Flee picked up the Grand Jury Prize and now ahead of...
By evidence, Hong Sangsoo may never make an Oki’s Movie or Hill of Freedom-type work again; our maestro is shooting for bigger emotional game. It’s fascinating...
In A Hero, the discovery of a bag of gold coins sets the scene for a knotted Bressonian morality tale. The director is Asghar Farhadi, a filmmaker who has spen...
Stories from multiple perspectives have been onscreen at least since Rashomon, but even the great Akira Kurosawa might have found something to like in the new ...
"Memoria" translates simply to "memory" in Spanish. The four syllables were also truly promising some resumption of a post-pandemic high-end cinema for us obse...
In a Cannes surprise, it was revealed that Gaspar Noé had a new film set to premiere at the festival. The Enter the Void director shot Vortex over twenty days ...
Big-screen depictions of mental health often lose nuance in favor of exaggerated tropes, inaccurately representing many experiences living with specific condit...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Drea Clark to discus...
Pig will be a victim of expectations. While marketed as Nicolas Cage’s equivalent to a darkly comic and surreal John Wick, and though a study of the desire for...