The Film Stage - Page 449

Caleb Landry Jones Announces New Album Gadzooks Vol. 1; Listen to First Track

We are neither explicitly a music publication nor boast a music beat even generally, but I guess we're becoming a Caleb Landry Jones hub. It was little surpris...

Joel Coen’s The Tragedy of Macbeth Will Open the 59th New York Film Festival

Marking Joel Coen's first film without his brother Ethan Coen, The Tragedy of Macbeth brings together Denzel Washington, Frances McDormand, Brendan Gleeson, Co...

New Trailer for Denis Villeneuve’s Dune Pushes Sci-Fi Classic to New Heights

What's harder to believe: an intergalactic battle over kingdoms and spice some 10,000 years hence or a theatrical-only release for Denis Villeneuve's Dune? By ...

Jolt Review: Kate Beckinsale Has Plenty of Fun in a Reverse Crank

Is it her extremely high cortisol level that makes young Lindy a rage monster ready to slam a kid's face into a piece of cake after he jumps his turn? Or did a...

Cannes Review: Nitram Admirably Examines the Factors That Led to a Tragedy

The Port Arthur massacre, taking place April 28th, 1996 on the island state of Tasmania, is routinely commemorated as one of the darkest days in Australia’s po...

Ryûsuke Hamaguchi on Adapting Murakami with Drive My Car and the Sound of Silence

Relatively speaking, Ryûsuke Hamaguchi is having a good 2021. Less than six months on from picking up the Silver Bear in Berlin for Wheel of Fortune and Fantas...

Cannes Review: The Year of the Everlasting Storm is a Creative Look at Globally Unifying Trauma

Anthology films like The Year of the Everlasting Storm, wherein a flurry of esteemed directors create short segments tethered to a common theme, lack a strong ...

Cannes Review: Three Floors is Nanni Moretti in Brash Soap-Operatic Mode

A car is knocked off-course on a quiet suburban street and crashes fatally into the front room of a well-furnished apartment. In the flurry of bricks and wall ...

U.S. Trailer for Tsai Ming-liang’s Days Sets the Mood

We have been crazy about Tsai Ming-liang's Days for quite a while—premiering at Berlin 2020, which will go down as the last gasp of film culture as we knew it ...

Midnight in the Switchgrass Review: Megan Fox Navigates a Generic Crime Drama

I think Bruce Willis' agent needs a raise—they are going above and beyond to make sure their client gets A-list billing no matter what project he takes. I'd es...

News

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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