The Film Stage - Page 447

First Trailer for Paul Schrader’s The Card Counter Finds Oscar Isaac Gambling Away

If Léa Seydoux was the queen of Cannes, Oscar Isaac is the king of Venice. Along with Denis Villeneuve's Dune and some episodes of his Bergman remake, the HBO ...

The Criterion Channel Unveils August 2021 Lineup

Next month's lineup at The Criterion Channel has been unveiled, featuring no shortage of excellent offerings. Leading the pack is a massive, 20-film retrospect...

Garrett Bradley to Direct Sci-Fi Adaptation Parable of the Sower For A24

After directing the finest film of last year with the astounding, Oscar-nominated documentary Time, director Garrett Bradley is heading into entirely new terri...

The Film Stage Show Ep. 438 – Old (with Logan Kenny)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Logan Kenny to discuss M. Nigh...

First Trailer for Pedro Almodóvar’s Venice Opener Parallel Mothers

It's quite welcome that we're getting successive Pedro Almodóvar the past few years. After Pain & Glory and The Human Voice, his next feature, Madres Paral...

Lorelei Review: Jena Malone and Pablo Schreiber Seek Salvation in Emotional Drama

They had a plan. Wayland (Pablo Schreiber) would make as much money as he could running drugs for his local motorcycle club until he and high school sweetheart...

Venice Film Festival 2021 Lineup Includes New Films by Jane Campion, Paul Schrader, Ana Lily Amirpour & More

Taking place September 1 through 11, the Venice Film Festival has now unveiled its lineup, after a few teases of what it contains (the opening night selection ...

Paris, 13th District Review: Jacques Audiard Weaves a Zestful Yet Underwhelming Tapestry

There is no such thing as a typical Jacques Audiard film. Take his last three as examples: in 2012 he captured the trauma-induced romance between a wayfaring f...

Andrea Arnold on Capturing Cow, Bovine Beauty, and the Brutality of Nature

After a grueling experience with HBO's Big Little Lies, Andrea Arnold returns with her first film in five years. Positioned somewhere in the world of documenta...

Cannes Review: Queer Palm Winner The Divide is Heavy-Handed Look at Recent French History

Anybody who thinks writers who use subtext are cowards will find plenty to admire in The Divide. Taking place over the course of one night, Catherine Corsini's...

News

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

The Best Movies Now Playing in Theaters

The Film Stage’s 2024 Holiday Gift Guide

New to Streaming: A Different Man, The Outrun, My Old Ass, Used Cars & More

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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