When the world of physical media often lacks hope, good news can land very hard. Case in point: the Criterion Collection have announced the return of their Ecl...
Seventeen years after her directorial debut Yeast, which gave Greta Gerwig one of her very first roles, Mary Bronstein finally returns with her second feature,...
We can admire those who (brilliantly) craft entire feature films on iPhones, but the choice to shoot a three-hour feature with a Sony Ericsson––a device which ...
Boys Go to Jupiter, an animated feature directed and written by Pittsburgh-based 3D artist Julian Glander, is truly a product of its time. And that time is now...
Amy Berg's It's Never Over, Jeff Buckley is an impressive archival document as well as a celebration of the life of a tortured artist. And while the term "tort...
Reteaming with Netflix after his ambitious misstep White Noise, Noah Baumbach is getting introspective. Jay Kelly stars George Clooney and Adam Sandler as a mo...
For as long as we’ve known about Weapons, writer-director Zach Cregger’s hotly anticipated follow-up to his 2022 blackly comic splatter sensation Barbarian, we...
Ahead of the 63rd New York Film Festival kicking off next month, taking place September 26 through October 13, the Main Slate has now been unveiled, featuring ...
In the fifteen interminably long years since James L. Brooks' last directorial feature, the kind of adult-focused, warm dramas with recognizably emphatic chara...
Spike Lee’s first narrative feature in five years is Highest 2 Lowest, his reimagining of Akira Kurosawa’s High and Low that marks a reteam with Denzel Wa...