Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they ma...
Arriving at the tail end of this year is a film with quite some pedigree. For her directorial debut, Maggie Gyllenhaal has adapted one of the most acclaimed wr...
Perhaps the biggest cultural difference between the U.K. and U.S. is the way success is viewed. While America tends to celebrate those who make it, British cul...
For fledgling animation studios, the first impression is always the most important. Pixar managed to cement their brand of heartfelt, pop culture-inflected sto...
Japanese actor Joe Odagiri (I Wish, Air Doll) has made his directorial debut with They Say Nothing Stays the Same, a drama that premiered at the Venice Film Fe...
Where does one even begin with Halloween Kills? Is it paramount to speak of its content, which achieves the impossible of being so stretched out that it couldn...
Following up his lovely, meditative debut feature August at Akiko's, Christopher Makoto Yogi returned this year with I Was a Simple Man, a serene ghost story s...
It looks like Sonic Drive-In will not be the last American brand that Terrence Malick captures on film. As the director continues to toil away in the editing r...
2022 (Christ, 2022?) is on the horizon, and rest assured: Criterion continues. Their new year starts auspiciously with a mix of old and new, first-timers and r...
After a hiatus where New York’s theaters closed during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repert...