Kindly note: though efforts were made to skirt plot, certain of The Matrix Resurrections' first 25-or-so minutes are discussed herein.
The Matrix Resurrecti...
We are mere days away from being in the year of a new David Cronenberg movie. With filming having wrapped in Greece on Crimes of the Future––his sci-fi drama s...
With fears our winter travel will need a, let's say, reconsideration, the Criterion Channel’s monthly programming could hardly come at a better moment. High on...
In a year marked by a recovering box office and distributors experimenting with a wide variety of types of releases, what does an overlooked film constitute? W...
The winner of the Venice Days Director’s Award at the 2020 Venice Film Festival, writer-director Philipp Yuryev's immersive coming-of-age drama The Whaler Boy ...
Following up his break-out horror hit The Witch and his black-and-white buddy comedy of sorts, The Lighthouse, Robert Eggers is returning in 2022 with his bigg...
Of all the oddball flourishes across Guillermo del Toro’s filmography, it’s perhaps most surreal that he has taken this long to run away and join the circus. I...
One of the most beautiful films I've seen in the last few years, Pushpendra Singh's The Shepherdess and the Seven Songs is finally getting a U.S. theatrical re...
Making for the ideal winter viewing, Hong Sang-soo's black-and-white drama Introduction––the first of two features to premiere on the festival circuit this yea...
Welcome to The B-Side, from The Film Stage. Here we talk about movie producers! Not the movies that made them famous or kept them famous, but the ones that the...