Taking part in ten Sundance premieres over the last ten years, Aubrey Plaza’s niche in the world of independent cinema has been well carved. Reaching into dark...
In 19th-century Macedonia a desperate mother makes a deal with a witch. Rather than allow her only child to be taken from her immediately, the woman promises h...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Greg Vellante to discuss Mike ...
A romantic comedy that functions best as a fable of friendship and self-reflection, Am I OK? is the kind of lightweight, amiable movie that just barely earns t...
Some films just seem easy to make. This is a compliment—nothing back-handed about it. Good Luck to You, Leo Grande is one such example. As written by Katy Bran...
Speak No Evil is terrifying, shocking, and deeply, deeply unsettling. There’s no getting around the upset factor. Audiences who catch this Sundance entry from ...
With Nanny, Nikyatu Jusu presents a more haunting depiction of the American Dream. Her feature debut nods to Ousmane Sembène’s seminal Black Girl while distill...
It was mere weeks ago we placed a possible Hong Sang-soo film on our 2022 most-anticipated list. If nothing was announced, anything could be expected—a year wi...
For those of us around in the late 1990s and early 2000s, it was a wild time for American cinema. You wouldn’t know it by looking at what’s screening at the mu...
More than a surprise from last year's festival circuit—it sometimes seems anything that's not a big-ticket title but proves itself counts as "a surprise—Sebast...